MARCH 28 ASO principal musicians are featured with chamber orchestra in the intimate and unique venue of the Trinity Episcopal Cathedral. BUY TICKETS
APR 5 Violinist YooJin Jang joins the Arkansas Symphony Youth Orchestra for a residency and featured performance. BUY TICKETS
APR 3 The Ruth Allen Concert Series at UAMS presents a free concert featuring ASO musicians performing music from Haydn, Ibert, and Piazzolla.
APR 13 - 14 Saint-Saëns' Samson et Dalila, Ravel's Tzigane, Beethoven's Romance No. 2, Tchaikovsky's The Sleeping Beauty, and Enesco's Romanian Rhapsody. Concert sponsored by the National Endowment for the Arts. BUY TICKETS
APR 16 Debussy's Violin Sonata, Poulenc's Sextet for Piano and Winds. BUY TICKETS
MAY 4 - 5 Mahler's Symphony No. 5, and the world premiere of Michael Fine's Concerto for Oboe Section. BUY TICKETS
MAY 7 Ravel's Sonatine en Trio, Francaix's String Trio, Pärt's Fratres, Dillon's Multiplicity, Gardel's Por una Cabeza. BUY TICKETS
MAY 11-12 Experience all the mystery and fun of their unforgettable adventure in the beloved movie that captivated audiences around the world, complete with John Williams' Academy Award-winning score performed live by a full symphony orchestra in sync to the film projected on a huge HD screen! BUY TICKETS
MAY 23 Beethoven's powerful Triple Concerto is presented in the beautiful and resonant acoustic space of Calvary Baptist Church. BUY TICKETS
SEP 28-29 The 2019-2020 season opens in collaboration with ACANSA Arts Festival of the South, featuring American trio Time for Three with conductor JoAnn Falletta and Rimsky-Korsakov's Scheherazade.
OCT 1 The 2019-2020 River Rhapsodies series opens with a concert featuring Milhaud's String Quartet No. 1 and Beethoven's String Quartet No. 15.
NOV 9-10 Explore the rich musical heritage of Arkansas with a pairing of composers with local roots – William Grant Still and Florence Price – with Beethoven's groundbreaking Symphony No. 3, “Eroica."
NOV 12 Ravel's Sonata for Violin and Cello, Villa-Lobos' Bachianas Brasileiras No. 5
DEC 20-22 A true holiday favorite, this beloved comedy classic features renowned composer John Williams’ charming and delightful score performed live to picture.
JAN 25-26 Ginastera, Bartók, and Copland examine the music of “home” with a program of dances honoring the folk music of their countries. Carolyn Kuan, conductor.
JAN 28 A program of works showing the power of music to capture a scene and tell a story.
FEB 8-9 Join Tony Award Winner Debbie Gravitte, Scarlett Strallen (Mary Poppins on Broadway), and Hugh Panaro (Phantom/Sweeney Todd) for an evening that features the music of two giants from the Broadway world - Stephen Sondheim and Andrew Lloyd Webber.
FEB 29 - MAR 1 ASO Associate Conductor Geoffrey Robson leads your ASO in a program which explores the relationship between imagery and sound, with guest pianist Andrius Žlabys.
MAR 3 Brahms's Quartet No. 1 in C minor, Schumann's Piano Quintet.
MAR 14-15 Get your dancing shoes on, head to the concert hall, and get ready to show your R.E.S.P.E.C.T. to the Queen of Soul!
APR 18-19 Conductor Eric Jacobsen leads the ASO with music from Boulanger, guest soloist Simone Porter (violin), and Berlioz's powerful symphonic portrayal of an artist's unrequited love.
APR 21 Spohr's Grand Nonet, Fauré's Piano Quartet No. 1
MAY 2-3 Your ASO closes the 2019-2020 season with one of the greatest cello concertos played by one of the greatest cello soloists of our time: Zuill Bailey.
MAY 5 2019-2020 Richard Sheppard Arnold Artist of Distinction Zuill Bailey joins ASO musicians at the Clinton Presidential Center
MAY 9-10 The action-packed adventure of Jurassic Park pits man against prehistoric predators in the ultimate battle for survival, with a full symphony orchestra performing John Williams’ iconic score live to picture.
By Scott Whiteley Carter - ASO Blog Guest Contributor
As a child, my first recollection of the Arkansas Symphony Orchestra was when musicians would come to our elementary school and give a demonstration performance. We would dutifully file in and sit on the floor of the cafeteria, the aroma of lunch still lingering in the air. Yes, it was fun to get out of class. But what made the difficult task of sitting still on hard floors more enjoyable was the chance to see the musicians up close and to get to interact with them.
The summer is here, which means the ASO has just finished another busy and rewarding season. While our new season doesn’t begin until September, work has been underway for months to make sure we are ready for opening night!
By Kevin Bontempo - Public Relations & Digital Strategies Intern
My name is Kevin Bontempo and I am currently a junior at Arkansas State University in Jonesboro. I am currently working on my Bachelor’s degree in Communications with a minor in marketing with an emphasis in public relations. This summer, I am the Public Relations & Digital Strategies intern at the Arkansas Symphony Orchestra. Along with my major, I am involved in many organizations where I play the trumpet, such as my college marching band and church orchestra.
By Jim Gunnell, ASO Subscriber
I was weeping as I sat in the shadows of the music-filled auditorium. I thought to myself, “What is wrong with me? Why am I crying?” I felt embarrassed. Here I am, a grown man crying for no apparent reason. My heart raced and beads of perspiration formed on my forehead as I tried to hold back the tears. I quickly discovered there’s no inconspicuous way to wipe tears from your face, so I let them flow. I felt like each one of them was capturing the light from the stage. I was confident that the glistening droplets must be distracting to the people sitting around me. I told myself, “Breathe. Just breathe. Inhale. Exhale.”
By Leanne Day-Simpson - Orchestra Librarian and Education Coordinator
Even before the final notes of the ASO’s closing concert echo throughout the concert hall, work has already begun on next season’s ventures in the orchestra library and the education department.
By Barbara Burroughs - Director of Education and Outreach
As a part of the ASO staff for over 16 years, I’ve seen many changes in the orchestra, staff and patrons over the years.